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Horea Crishan, violinist for the North German Radio Symphony Orchestra
in Hamburg, is one of todays leading pan flutists. Born in Romania,
he has always been entranced by the pan flute. In 1955, when he was
10 years old, he tried out for the entrance exam at the Special
Music School in Bucharest. In the schools courtyard, he
was joined by many children who wanted to study music as well. Crishan
could not read notes but he played two or three Romanian folk songs
on the violin. There was another child sitting in the courtyard who
played folk songs on the accordion, and that very well. All the children
were enthused. His name was Gheorge Zamfir.
Both of them were accepted, Crishan chose the violin, while Zamfir
elected the pan flute. They became good friends, lived in the boarding
school until their graduation, and later studied together at the Bucharest
conservatory. As a student he played the violin in the student ensemble
for folk music and folk dances. With Gheorge Zamfir as conductor and
soloist, this ensemble often toured abroad. In 1968, Crishan became
the ensemble leader because Zamfir was appointed conductor of the
famous state ensemble Ciocarlia. So they went their separate
ways. Very quickly, Zamfir became a world-famous pan flute player
and travelled all over the world. In 1973, Crishan came to Germany.
After a difficult audition with many candidates, he was accepted as
violinist in the North German Radio Symphony Orchestra in Hamburg.
One day, Zamfir came to Hamburg for several church concerts for pan
flute and organ. Finally, the two friends saw each other again. Crishan
had admired his friends artistry on the pan flute for a long
time. In 1979, after one of Gheorges concerts, Crishan was so
fascinated by his pan flute playing that he decided to take up playing
the pan flute as well. After a very short time, Horea Crishan had
mastered the divine instrument perfectly.
In 1980, Crishans first album for pan flute and organ (with
Marcel Cellier) was released. Within two years he became a top-notch
pan flutist. A true natural, he was soon discovered by James Last,
Eugen Cicero, and others. The pan flute, Horea Crishan
says, can unite almost all musical styles with remarkable fidelity
(accuracy) and simplicity. It opens up a whole world of feelings and
all dimensions of music.
Horea Crishan appeared with the well-known jazz pianist Eugen Cicero,
with the big Promenadenorchester (promenade orchestra) Alfred Hause
which he joined for several tours of Japan, and the world-famous James
Last Orchestra. The wide range of his repertoire includes folk music,
popular music and classical music. He dazzles (fascinates) in combinations
like pan flute and organ, pan flute and accordion, pan flute and harp,
or pan flute and chamber orchestra.
Horea Crishan is also a very popular soloist for gala concerts. He
uses pan flutes made by Gheorge Georgescu, one of the worlds
best and most famous master builder of pan flutes.
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